Project 3 Photograph & Render

Here is my photograph and final render for the DSDN104 Project 3 "Grow"

As my model was based off the golden ratio which is fundamentally based on patterns in nature I chose to photograph my model in a natural environment as if it were a naturally occurring object. This is also the reason why the model has been dyed green, as I feel it is the colour that best reflects nature. The model ended up having minor imperfections which I celebrated, as the Golden Rule is a rule for perfection to which most naturally occurring examples of the rule aspire to be but can never perfectly attain.

In my render I wanted to achieve the same objectives as my photograph, and replicate the photo but with my three models instead of just one. I chose a wood texture on stone pedestals as to suggest that the models are gifts from nature, with the internals being copper or gold, which are also naturally occurring gifts of nature. I also chose to light the insides of the models to give them depth, celebrate the internal spaces of the models, and also to enforce the idea that their metal insides were precious gifts. The pedestal for my final model as also been illuminated with a different colour light to show that it is different from the others.

"Grow" Test Renders

I decided I wanted my renders to be of the same theme as my photograph, so I endeavored to have a render setup that mirrored the photo, but with 3 models.

I set my models up so that were all on their own individual pedestals, and set in a natural environment, and played with lighting and textures for each

Glass and Copper texture trial

 Here I wanted to trial the Glass textures to see if they would suit my models, and have the internals of the models as copper so that I could test the reflective and refractive qualities of each. Unfortunately the glass texture did not suit my main model well, as it ended up with total internal reflection causing the model to go black.

Wood and Stone texture trial

 Here I tested the stone texture I had on the pedestals to see whether it would be suitable, which I was quite pleased with - I just needed to work on the UVW mapping so that it was uniform with no edges. I also applied a wooden texture to all my models, which I felt worked really well and would provide a good surface to play with lighting effects. Ideally I wanted a semi-transparent texture to show off the internals of each, but I felt wood would be a more natural texture to go with my narrative, and lighting could be used to achieve the same effect.

Background texture trial

 I really wanted my models to be in a natural environment, so I tested using this forest scene as a background for my render, which I feel worked very well. I found that it was near impossible to modify lighting effects of the forest scene, so I did these in Photoshop before importing them into 3DS Max.

Coloured lighting trial

 I tested using coloured lighting to see whether it would provide a more natural aesthetic to the scene, and I went with a yellow-green type colour as it might be filtered through a leaf, say. I was not particularly pleased with the effect, as it tinted everything to a strange tone which detracted from my models.

Volumetric lighting trial

 I tested using volumetric lighting to better present the models exterior, though I found that it looked both unnatural and detracted away from the internal space of the models, which is something I wanted to showcase.

Spotlighting and Internal Omni lighting trial

 Here I put spotlighting on the models, both as a presentation aesthetic as it might be seen in a museum, but also to differentiate between the final model and the other two models. I was pleased with the effect.

Omni lighting and 1080p cropping trial

Here is the final image, with changes to the Omni lighting for the scene which darkened the background to both make it look like a dusk scene, but also to strengthen the lighting effects of the spotlights and the internal Omni lights.

"Grow" Model Photographs

So I've got my model back! And it worked this time. Took ages to get all of the little bits of resin out of it, but I think it's looking pretty good. I decided to dye the model green, as I thought it was a colour that best indicated it's relationship to nature, which is also why I wanted to photograph it in a natural setting. I put the model an a stone like a podium, almost to indicate that it was a gift or a relic provided by nature.

"Grow" Third Model Development

After having a play around with the Fibonacci Spiral I decided I wanted to directly use an extrusion of the spiral so that it would mimic the shape of one of my precedents

I decided to try using the Golden Ratio on a vertical plane as well as a horizontal plane, so that as the shape spiralled out it would spiral up as well, like this shell.

A lot of the problem I had with making a spiral like this was the attempting to make it precise and perfect. Doing this is Solidworks was a huge challenge, and though it would have make a very precise model it did not give me the creative control I wanted. I look it into 3DS Max, and used the soft selection and move tools to extrude the spiral, and manually welded a mirror image of the spiral to itself to make the above shape.

I decided that precision and perfection when making this model wasn't required, and in fact it would have been better if it had little imperfections in every different part of the spiral so that it would come of as a more natural object; perfection is an unnatural concept, where forms in nature or even man-made forms aspire to an ideal (whether real, imaginary, or in another dimension), and natural objects are full of imperfections. In my mind beauty is in the little imperfections, so I bent little parts of the spiral using the soft selection tool.

I decided I wanted to make a whole bunch of spirals stacked on each other so that it would forms a lattice in effect that could contain an object, like a seed or fruit. It was quite challenging making this, as the spiral I had made wasn't perfectly symmetrical, so it all had to be done manually....

...... so I used a rod as a point of reference to come out with.....

This! Inside is a model I had previously made which I wanted to use as a seed inside a piece of fruit, which I selected from these:

I chose the ball I made from a Mobius Strip that I made as part of a different family, as I liked the philosophical and physical connotations it had, how the shape resembled a man made version of the same spiral I had made from natural origins, and for the idea that a natural environment contained and mothered a man-made object - quite like the earth.

"Grow" Second Model Development

So I've decided to start a new family of models based on the Golden Ratio, as I thought I had gone as far as I could making objects directly using the Fibonacci Spiral. Whilst I think the patterns have a certain attraction to them I was interested to see what other kinds of objects I could make.

When I looked again at my precedents I found that the Fibonacci Spiral was not the only utility of the Golden Ratio, and I wanted to explore and reproduce some different occurrences of it.

As you can see in the fractal algorithm above there is a Fibonacci Spiral, but along the line that the spiral makes are other examples of the Golden Ratio. The circles that go inside other circles decrease (or increase) at a rate directly proportional to the Golden Ratio. I made some sketches of this earlier, and I wanted to see what models I could generate from this idea. 

I decided that I would make a nest of loops in a similar pattern, and thought that if I was going to make a loop, I might as well make it a cool one. Above is a Mobius Strip that I made in Solidworks, and is a three-dimensional object that only has one side. I like the physical and philosophical connotations this object has, and I thought it would make for a beautiful object if done right.

This is a nest of Mobius Strips mimicking the Golden Ratio. A lot of the models below are modified versions of this model. I also attempted to make a gyroscope out of these strips, but because the Mobius Strips don't have perpendicular faces it was near impossible to make the right connections for it to function.

"Grow" First Model Development

Some development images from my first family of models

This is an extrusion of the Fibonacci Sequence which I imported from Solidworks, after making the curve from scratch using the algorithm of squares. I felt that all my models would have a greater authenticity and would look more natural by directly using this shape. Below are some patterns I made by tessellating this shape in different ways.

 I wanted to use these patterns by either making a shape directly from them, or by etching it into whatever model I end up with so that it carries inherent markings of the model's origins.

I like the ball made from the spirals as it forms an interesting shape which I think could look really good close up and in photographs when lit so that the shadows would be prominent. The box is interesting too, though I think that it's hard to see the patterns as they're effectively stacked up on each other no matter where you look at it from. I think that by putting something solid in the middle it would look much better, though I'm wondering what solid shape could be made using the Golden Rule that would also look good inside this cube.

Pattern Sketches

From looking at the patterns of the precedent images in the previous post, I found that most could be reduced to very simple geometric patterns, and often utilising the fundamental "Golden Rule".

A spiral using the Golden Rule

 Here I played with the Golden Rule quite literally, taking the very basic spiral that uses the formula a+b/a  =  a/b  = 1.61803, and turned in into a spring looking object that expands both in length and in width at a rate adherent to the Golden Rule. I think I should be able to use such a formula more easily in 3DS Max where I can scale objects by directly inserting this number.

 Here is a very basic pattern I drew of a mobius strip, showing the underlying concept in it's simplest of forms. My intention is to take this basic pattern and mess with it such that the pattern is still there, though it would be transformed into a shape much less recognisable than this.

Here is yet another example of the Golden Rule, this time using circles. I hope to use this pattern to tessellate my forms using both the scale and position seen here, though I may opt to rotate one of the circles in an interesting way. I'm quite fond of this pattern and it looks both like the magnetic centres on each pole of a magnet, and the eyes of Kaa the snake from The Jungle Book. Either way, I think this would have a cool effect on the transformations of my models.

Material Precedents for DSDN104 "Grow"

I investigated the different capabilities of modelling using a 3D prototyping machine and it's limitations, and so far as I've seen the objects that can come out of such machines would be extraordinarily tricky to make in any other way. Take a look at these for instance:

So as far as limitations go.... I don't think there really are many limitations! Well, not so far anyway. I'm going to crack right into making some 3D forms and see if there are problems later. I also had a look at some textures that I could use for my models in 3DS Max, and come out with a mixture of natural and fractal images I'm willing to try:

Precedents for 104 "Grow"

Here are my precedent images for my DSDN104 project "Grow". I decided to investigate some naturally occurring patterns and found that most of the underlying patterns had an adherence to The Golden Rule in one way or another. I was also curious about fractal images and found that there were many images to adhered to both the natural "Golden Rule" and the computational rules used to create the fractal images.

A fractal image showing the Golden Rule

A chameleon's tail showing the Golden Ratio

A shell showing the Golden Ratio

A natural occurence of the Golden Ratio

A staircase modelled after the Golden Ratio

A shell showing the Golden Ratio

I also had an interest in the concept of a Mobius Strip and the connotations it has in physics and philosophy, and the interesting shapes that have been made using this concept

A 3-strand Mobius Strip

A table showing the mobius strip using bent wood

A torus knot